Archives for category: cosmic energy
credit: learn-to-be-love-.com

credit: learn-to-be-love-.com

The mystery of the Divine Essence, divinity, the Spirit and God have been the constant subject of human enquiry and conjecture, religious speculation and metaphysical research. Divinity is sought to be understood at its different levels from the virtually incomprehensible formless eternal to the more tangible Godhead conceivable with shape and form to its incarnated prophets and Avatars on the physical realm.

Yogananda sought to provide some invaluable insights and answers to what he called ‘ the seemingly unanswerable questions’, answers that he ”received from the very depths of my soul and from God”.

The basic paradox revolves  around the concept of God’s unbreachable ‘Unity’ and the untold diversity of his manifestations in the physical world. Yogananda explains that as the Unmanifest Absolute, divinity or the Spirit was solitary and absorbed in Its own peace, consciousness, wisdom and bliss. In that supreme intelligence then arose a profound creative urge – ‘why have I remained thus alone…absorbed in My own bliss…but now I am going to dream a cosmos’. This urge then translated into a magnificent cosmic dream. The dream began to manifest, causing his consciousness to divide between his absolute unmanifested nature, the still and imperturbable Spirit and a turbulant manifest nature in the form of cosmic energy consisting of ‘different vibrating perceptions or processes of His thought’. This apparent duality was an illusion, being no more than a dream state, giving rise to the law of illusion of duality or ‘Maya’. Thus a portion of that solitary consciousness separated itself from Spirit and proceeded forth as ‘an active intelligent force, restless to express its power’, much like a seed sprouts into a mighty tree his thought ‘sprouted into a vast creation’. This however did not affect  his fundamental Unity, as the apparent separation was only within the confines of a dream state.

The first manifestation was ‘pure thought’. From this primal thought emanated light, which is the same as consciousness, only with ‘greater density’. The thought of light arose first, then transformed into a more tangible ‘dream of light’ – like the difference between thinking of a horse before seeing it actually in a dream. The dream of cosmic light was further empowered to create form. At first the finer light created subtle form and then proceeded to create ‘the grosser atomic light of protons and electrons’. God then empowered electrons and protons to arrange into atoms and molecules and a further thought force impelled them to ‘condense into gases, heat, liquids and solids’ and finally forms of life with man at the apex. This matter was further ‘imbued with a dreaming intelligence’ whose evolution would awaken it to the realization that ‘matter and mind are one’. Mind being the ‘idea vibration of God’. Death became the process by which ‘dream matter changes back into the consciousness of God’. The human being is the most conscious material entity, enabled to ‘transcend His dream’. Through birth and death this highest material entity goes back and forth between the ‘gross dream world’ and the ‘finer astral dream world. Reincarnation was a ‘series of dreams within a dream, man’s individual dream within the greater dream of God’.

Thus in the stormy state of creativity, the Infinite manifests as ‘intelligence, mind, vibrations, forces and matter’ but in the unmanifest state, ‘the Infinite exists solely as Spirit in which all forces lie dissolved’.

The Avatar or prophet is that material phenomenon whose ‘consciousness is one with the Intelligence of God omnipresent in creation and is the sole perfect reflection in creation of the Uncreated Infinite’.

 

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KALI YANTRA - geometrical portrayal of Goddess Kali Credit: sics.se

KALI YANTRA – geometrical portrayal of Goddess Kali
Credit: sics.se

The primal energy of the creative force in Hindu theology is conceived as a feminine entity. This is quite remarkable for a country which is essentially patriarchical. Worship of the Goddess as mother is fairly universal with major festivals being dedicated to honouring her with chanting, prayer, song and dance. Millions also trek to pilgrimage sites with fervour, devotion and resolve to receive her maternal blessings and empowerment.

The Universal Essence is symbolized as partly masculine, the epitome of truth, consciousness, calm and bliss and partly feminine, creative, volatile, energetic and emotional. The masculine element, Shiva, contemplates creation through his eternal meditation and is regarded as the eternal yogi, while his counterpart Shakti ( energy in Sanskrit) is cosmic energy that enacts that creation. Shiva is the seed, Shakti is the womb.

LAKSHMI

LAKSHMI
Credit: vedicgoddess.weebly.com

Shakti is depicted as having three manifestations or aspects. Lakshmi is its benign form generating prosperity, growth, health, well-being and good fortune. One finds her portrait on an altar in most shops and commercial establishments, in addition to homes to ensure the success of the enterprise and well-being of the family.

SARASVATI

SARASVATI ( painting by Raja Ravi Varma)
Credit: en.wikipedia.org

Sarasvati is the intellectual aspect generating scholarship, the fine arts, music dance and  knowledge. Her images with Sitar in hand adorn the stage where dance and music concerts are to be held or at inaugurations of cultural events. Students before joining an educational institution or proceeding to take an exam will seek her blessings.

Kali is Shakti’s darker aspect, symbolizing inexorable time (Kal), mortality and the ephemeral nature of physical existence – energy in a constant state of flux. Together the three aspects of Shakti create, facilitate growth, enhance the quality of life through prosperity and the creativity of the arts and finally terminate it to recycle the process again and again.

DURGA

DURGA
Credit: hindudevotionalblog.com

The three Goddesses when combined as one force are pictured as Durga displaying beauty and strength as a many armed maiden astride a lion ( or tiger) furiously battling the forces of inertia, atrophy, darkness and evil represented as the buffalo-demon which she slays even as it seeks to change form to deceive her.

Kali  ( the dark one and time in Sanskrit) is the most striking and fearsome aspect of Shakti. She is shown as standing with one foot irreverently placed on the chest of her recumbent lord Shiva, the blissful representation of the Universal Essence whose inner force she actually is! According to myth she was conceived to destroy demonic entities who had overpowered the  demigods and subverted nature imperilling creation. Even after their destruction her furious destructive energy could not be contained thus threatening the very creation she had been produced to save ( much like nuclear energy gone awry). Shiva then as a last resort threw himself at her feet to contain her fury but she carrying forward with uncontrolled momentum inadvertently placed her foot on his breast Thus the epitome of truth, consciousness and bliss, lord of the universe, lay under the foot of his own power time, which strode over him as if to declare that she alone ruled the material world of opposites ( good and evil, light and dark, pain and pleasure, love and hate, life and death). As she places her energetic foot on the chest of the universal lord she suddenly realizes what she has done and in embarrassment sticks out her tongue, realizing that the physical world is only a mirage created by the Universal Lord. The allegory is stark. The uncontrolled physical momentum of the physical world can only be restrained and tamed when it over steps its spiritual base and in so doing is shocked back into equilibrium.

The stirring, striking and paradoxical imagery of Kali with Shiva underfoot took the Hindu psyche by storm and is abundantly on display at meditation centres and places of worship where people hope to overcome persistent obstacles in their path. In Kolkata this representation of our combined spiritualism and materialism is worshipped at the famous temples of Kaligahat and Dakshineshwar where goats are sacrificed to appease her fury. Unlike most branches of Hindu worship  vegetarianism is not observed here and in place of honey water and milk cakes being offered to worshippers as sacred blessing the practice in many Kali temples is to offer wine and preparations of meat.

It is Kali who helps brides consummate their marriage, it is she who protects us from physical traumas. I composed a poem as a tribute to the goddess who though fearsome as life itself is yet full of hope and maternal concern.

KALI

KALI
Credit: fanpop.com

 

                      M O  T  H  E  R

 

Red stamens

Stick out

Like her tongue

In hibiscus garlands,

Prescribed adornments

In Kolkata.

 

The great Shiva

Lies prostrate

Underfoot,

Holocaust inevitable

Contained

In Kolkata.

 

Life blood is stark red

Against the darkness

Of death,

But together,fundamental

Cosmic flux,

In Kolkata.

 

Her spirit is everywhere;

In the parting

Of bridal hair,

anointed vermillion,

Lissom bodies bare

In Kolkata.

 

Dear mother,

Protector,

In fearsome aspect

Is abroad;

As we are secure

In Kolkata.

 

Dakishneshwar Temple

Dakishneshwar Temple
Credit: en.wikipedia.org

  

Higgs Bottom - God Particle Credit : clanghigh.blogspot.com

Higgs Bottom – God Particle
Credit : clanghigh.blogspot.com

Hindu metaphysics is defined by western scholars as Transcendental Monism, a philosophical term which simply means the Oneness of everything, its indivisibility and grand unity. This is not Monotheism or the belief in a one and exclusive God without a second but indeed the oneness of both creator and creation. In other words, God is omnipresent and ubiquitous and the divine essence infiltrates every atom and particle of creation

. This divinity is present not merely at the spiritual plane but equally on the material and physical levels. Matter and Spirit are integrally conjoined and inseperable. The divine is thus universally present both as matter and spirit. Matter and Spirit, two facets of the Universal Essence or God, are not only inseperable and united but also exhibit attraction for one another by being in a state of perpetual interaction. While the material aspect is manifest, finite and perishable and recycled from creation to creation, the spiritual aspect is infinite, imperishable, constant and eternal.

Matter is passionately attracted to the presence of spirit and spirit never leaves matter alone either, probing, infiltrating and combining with it.

The Oneness of the pristine Universal Essence becomes disturbed when an introspective, self consciousness stirs within it, as if it asked ‘who am I’ or again it asserted ‘I am’. This ‘I am’ sounds like Aum the Hindu symbol of the sacred, the first primal sound resounding across the universe. This moment of acute self consciousness translates into what one may call the Big Bang of creation. At that moment the ‘Unity’ becomes splintered like our physical identity does in a dream. At that moment a tidal wave arises in the great Spirit’s oceanic Oneness and with the wave, uncountable millions of drops are thrown up in a cosmic splash seperating and rising up as sprays. The drops in the air are still parts of the ocean though apparently seperated by the creative force of the tidal wave of the self conscious assertion of ‘I Am’ and destined to fall back before long, back into the ocean, to resume their unity with it.

The figurative analogy of the ocean and the drops is employed repeatedly in Hindu thought to illustrate the complex metaphysical reality of the Universal Essence and its relationship to the  soul incarnate.. The seperated drops poised in the air momentarily, before they fall back into the ocean of the Universal Essence are the freshly generated souls. Thus we understand the origin of the soul.

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