KALI YANTRA – geometrical portrayal of Goddess Kali
Credit: sics.se
The primal energy of the creative force in Hindu theology is conceived as a feminine entity. This is quite remarkable for a country which is essentially patriarchical. Worship of the Goddess as mother is fairly universal with major festivals being dedicated to honouring her with chanting, prayer, song and dance. Millions also trek to pilgrimage sites with fervour, devotion and resolve to receive her maternal blessings and empowerment.
The Universal Essence is symbolized as partly masculine, the epitome of truth, consciousness, calm and bliss and partly feminine, creative, volatile, energetic and emotional. The masculine element, Shiva, contemplates creation through his eternal meditation and is regarded as the eternal yogi, while his counterpart Shakti ( energy in Sanskrit) is cosmic energy that enacts that creation. Shiva is the seed, Shakti is the womb.
LAKSHMI
Credit: vedicgoddess.weebly.com
Shakti is depicted as having three manifestations or aspects. Lakshmi is its benign form generating prosperity, growth, health, well-being and good fortune. One finds her portrait on an altar in most shops and commercial establishments, in addition to homes to ensure the success of the enterprise and well-being of the family.
SARASVATI ( painting by Raja Ravi Varma)
Credit: en.wikipedia.org
Sarasvati is the intellectual aspect generating scholarship, the fine arts, music dance and knowledge. Her images with Sitar in hand adorn the stage where dance and music concerts are to be held or at inaugurations of cultural events. Students before joining an educational institution or proceeding to take an exam will seek her blessings.
Kali is Shakti’s darker aspect, symbolizing inexorable time (Kal), mortality and the ephemeral nature of physical existence – energy in a constant state of flux. Together the three aspects of Shakti create, facilitate growth, enhance the quality of life through prosperity and the creativity of the arts and finally terminate it to recycle the process again and again.
DURGA
Credit: hindudevotionalblog.com
The three Goddesses when combined as one force are pictured as Durga displaying beauty and strength as a many armed maiden astride a lion ( or tiger) furiously battling the forces of inertia, atrophy, darkness and evil represented as the buffalo-demon which she slays even as it seeks to change form to deceive her.
Kali ( the dark one and time in Sanskrit) is the most striking and fearsome aspect of Shakti. She is shown as standing with one foot irreverently placed on the chest of her recumbent lord Shiva, the blissful representation of the Universal Essence whose inner force she actually is! According to myth she was conceived to destroy demonic entities who had overpowered the demigods and subverted nature imperilling creation. Even after their destruction her furious destructive energy could not be contained thus threatening the very creation she had been produced to save ( much like nuclear energy gone awry). Shiva then as a last resort threw himself at her feet to contain her fury but she carrying forward with uncontrolled momentum inadvertently placed her foot on his breast Thus the epitome of truth, consciousness and bliss, lord of the universe, lay under the foot of his own power time, which strode over him as if to declare that she alone ruled the material world of opposites ( good and evil, light and dark, pain and pleasure, love and hate, life and death). As she places her energetic foot on the chest of the universal lord she suddenly realizes what she has done and in embarrassment sticks out her tongue, realizing that the physical world is only a mirage created by the Universal Lord. The allegory is stark. The uncontrolled physical momentum of the physical world can only be restrained and tamed when it over steps its spiritual base and in so doing is shocked back into equilibrium.
The stirring, striking and paradoxical imagery of Kali with Shiva underfoot took the Hindu psyche by storm and is abundantly on display at meditation centres and places of worship where people hope to overcome persistent obstacles in their path. In Kolkata this representation of our combined spiritualism and materialism is worshipped at the famous temples of Kaligahat and Dakshineshwar where goats are sacrificed to appease her fury. Unlike most branches of Hindu worship vegetarianism is not observed here and in place of honey water and milk cakes being offered to worshippers as sacred blessing the practice in many Kali temples is to offer wine and preparations of meat.
It is Kali who helps brides consummate their marriage, it is she who protects us from physical traumas. I composed a poem as a tribute to the goddess who though fearsome as life itself is yet full of hope and maternal concern.
KALI
Credit: fanpop.com
M O T H E R
Red stamens
Stick out
Like her tongue
In hibiscus garlands,
Prescribed adornments
In Kolkata.
The great Shiva
Lies prostrate
Underfoot,
Holocaust inevitable
Contained
In Kolkata.
Life blood is stark red
Against the darkness
Of death,
But together,fundamental
Cosmic flux,
In Kolkata.
Her spirit is everywhere;
In the parting
Of bridal hair,
anointed vermillion,
Lissom bodies bare
In Kolkata.
Dear mother,
Protector,
In fearsome aspect
Is abroad;
As we are secure
In Kolkata.
Dakishneshwar Temple
Credit: en.wikipedia.org
Search for The Soul - Indrajit Rathore 